2019-12-16 00:26:50|创富期期准公开 来源 :台湾中正大学


  The past and the present are in lively conversation in this week’s recommendations, from a graphic novel version of Anne Frank’s diary to a collection of 1960s-era Japanese short stories to a debut novel out of Appalachia that draws overtly on the models of classic hard-boiled fiction and film noir. History is a theme in the week’s other fiction as well: A Cuban novel set against the easing of relations with the United States, and a British novel about an Iron Age re-enactment retreat. That one opens with human sacrifice. The good old days!

  Our other recommendations are very much of the moment, and maybe even the future: a look at immunotherapy as the most promising path forward for cancer treatment, and two books about how easy it is, and how dangerous, to cling to ideas that simply reinforce what we believe to be true.

  Gregory CowlesSenior Editor, Books

  DOWN TO EARTH: Politics in the New Climatic Regime, by Bruno Latour. Translated by Catherine Porter. (Polity, cloth, .95; paper, .95.)

  THE MISINFORMATION AGE: How False Beliefs Spread, by Cailin O’Connor and James Owen Weatherall. (Yale, .) These new books offer “a way to think through the seemingly insurmountable impasse carved out by political polarization and fake news,” our critic Jennifer Szalai writes. Latour, an anthropologist and philosopher, argues in “Down to Earth” that climate change is forcing all of us to confront truths that seem hard to reconcile, and criticizes our complacent faith in the ability of facts to speak for themselves. In “The Misinformation Age,” two professors of logic break down the mechanics of false beliefs, focusing mainly on ideas held by scientists, to show how even the most well-intentioned beliefs become distorted and spread.

  SUGAR RUN, by Mesha Maren. (Algonquin, .95.) An ex-convict returns to her Appalachian roots in this debut novel that harks back to hard-boiled fiction and film noir even as it updates those venerable genres. “Though the powerful pulls of land and home and sense of place persist,” Charles Frazier writes in his review, “one of the primary questions ‘Sugar Run’ asks is what these concepts even mean now in this country. Maren is masterly at describing America’s modern wastelands, the blasted towns not yet and maybe never-to-be the beneficiaries of rehabilitation and reoccupation.”

  ANNE FRANK’S DIARY: The Graphic Adaptation, adapted by Ari Folman. Illustrated by David Polonsky. (Pantheon, .95.) By turning the famous diary of a girl hiding from the Nazis into a graphic novel, Folman and Polonsky bring out its wit and humor in whimsical illustrations capturing Anne’s rich imaginative life. “The comedy of the ‘Diary’ — one of the book’s most charming and often overlooked aspects — shines in this form,” our reviewer, Ruth Franklin, writes. “Another consistent standout is the way the graphic novel conveys Anne’s fantasies and emotions. … This graphic adaptation is so engaging and effective that it’s easy to imagine it replacing the ‘Diary’ in classrooms and among younger readers.”

  REVOLUTION SUNDAY, by Wendy Guerra. Translated by Achy Obejas. (Melville House, paper, .99.) This Cuban novel, about a poet named Cleo facing political and personal questions amid the loosening grip of socialism, plays with expectations; as often as Guerra gives a concrete description of Havana, she gives one that dances and evades. “More than in its plot — a Cold War conspiracy of sorts — the movement of ‘Revolution Sunday’ is in the coming and going from the island, the beacon that will find Cleo in Paris, Barcelona and New York,” Jaime Lalinde writes in his review. “What emerges in ‘Revolution Sunday’ is primarily a novel of the self, of an artist contending with her own vanishing. The paradox of isolation without privacy. The isle in the word exile.”

  GHOST WALL, by Sarah Moss. (Farrar, Straus & Giroux, .) This compact, riveting novel, about a 17-year-old working-class girl forced by her parents to join a re-enactment of Iron Age Britain, asks us to question our complicity in violence, particularly against women. According to Alyson Hagy’s review, Moss “salts the novel with women who practice ancient skills with modesty, who honor historical experience without slavishly imitating it. … If most of the women in ‘Ghost Wall’ find solidarity through collaboration, the men become transfixed by their desire ‘to kill things and talk about fighting.’”

  THE BREAKTHROUGH: Immunotherapy and the Race to Cure Cancer, by Charles Graeber. (Twelve, .) Training the body’s immune system to fight disease now offers the most promising developments in the effort to battle cancer. Graeber recounts the treatment’s 19th-century origins and provides a panoramic view of the work being done today to make it effective. The book, Mimi Swartz writes in her review, “relates an unfolding and very frustrating mystery. Researchers have come tantalizingly close to beating the disease — even creating miraculous cures in mice and the occasional human — only to come up against another harrowing complexity in the body they hadn’t imagined or anticipated. Over the years, these scientists became like a platoon that could get itself behind enemy lines, only to find itself without weapons. Returning with weapons, they would find they had no bullets. Returning with bullets, they would discover they had the wrong kind, and so on. ‘The Breakthrough’ is the story of this desperate war waged on a cellular level.”

  TODDLER-HUNTING: And Other Stories, by Taeko Kono. Translated by Lucy North, with an additional translation by Lucy Lower. (New Directions, paper, .95.) As nonchalantly as some authors might describe a character’s hair, Kono details her characters’ deepest taboo desires. “It does a disservice to this collection of stories, which were originally published throughout the 1960s, to focus too much on its flashes of sadomasochism; but it’s difficult not to start there,” John Williams writes, reviewing the book alongside two other works of Japanese fiction. “But the pleasure in Kono’s work is not only, or even primarily, derived from its daring. These stories are also captivating in traditional ways.”



  创富期期准公开【萧】【如】【意】【拿】【着】【红】【包】【回】【到】【自】【己】【的】【房】【间】,【她】【手】【里】【有】【三】【个】【红】【包】,【给】【出】【了】【一】【个】【收】【到】【了】【三】【个】,【萧】【如】【华】【也】【给】【她】【准】【备】【了】【一】【个】【红】【包】,【这】【个】【新】【年】【真】【是】【满】【满】【的】。 【拿】【出】【手】【机】【看】【了】【一】【下】,【才】【发】【现】【自】【己】【手】【机】【上】【面】【多】【了】【很】【多】【信】【息】,【今】【天】【忙】【了】【一】【天】,【她】【几】【乎】【都】【没】【有】【看】【过】【手】【机】,【划】【开】【屏】【幕】【看】【了】【一】【下】,【基】【本】【全】【是】【新】【年】【的】【祝】【福】,【这】【些】【祝】【福】【都】【是】【来】【自】【于】【她】【的】【好】【友】,

  【容】【灼】【听】【了】【凤】【卿】【的】【话】,【扑】【通】【一】【声】【跪】【下】;“【母】【后】,【请】【恕】【儿】【臣】【不】【孝】,【儿】【臣】【还】【是】【想】【娶】【表】【妹】【为】【妃】。” “【就】【算】【生】【下】【残】【疾】【孩】【子】【也】【不】【在】【乎】【吗】?” “【若】【是】【生】【下】【残】【疾】【孩】【子】,【我】【们】【会】【比】【任】【何】【人】【更】【疼】【他】,【这】【是】【我】【们】【亏】【欠】【他】【的】,【是】【我】【们】【做】【父】【母】【的】【自】【私】【了】。” 【容】【灼】【认】【真】【的】【说】【着】,【一】【瞬】【间】【似】【乎】【长】【成】【了】【大】【人】,【有】【着】【担】【当】【负】【责】【任】【的】【大】【人】。 【他】【话】

  【在】【这】【一】【刻】,【叶】【辰】【真】【的】【是】【不】【知】【道】【该】【怎】【么】【说】,【两】【人】【就】【这】【么】【看】【着】【彼】【此】【陷】【入】【了】【沉】【默】。【良】【久】【后】,【叶】【辰】【率】【先】【发】【言】,【打】【破】【了】【这】【尴】【尬】【的】【局】【面】。 “【就】【以】【现】【在】【来】【说】,【你】【做】【我】【的】【追】【随】【者】【真】【的】【是】【很】【不】【明】【智】【的】【选】【择】,【我】【无】【法】【提】【供】【给】【你】【足】【够】【的】【修】【炼】【资】【源】,【这】【样】【下】【去】,【你】【的】【修】【炼】【速】【度】【就】【会】【逐】【渐】【下】【降】,【就】【如】【同】【你】【们】【狐】【族】,【会】【被】【后】【来】【者】【一】【个】【又】【一】【个】【的】【赶】【超】。

  “【哈】【哈】【哈】,【你】【不】【就】【是】【远】【古】【血】【脉】【比】【我】【浓】【郁】【了】【一】【丝】【吗】?【但】【现】【在】,【哼】!【我】【觉】【醒】【的】【可】【是】【已】【经】【灭】【绝】【的】【泰】【坦】【血】【脉】!【听】【清】【楚】【了】,【是】【泰】【坦】!” “【我】【现】【在】【一】【拳】【就】【能】【把】【你】【打】【成】【肉】【酱】!【识】【趣】【的】【话】【就】【乖】【乖】【卸】【下】【蛮】【帝】【位】【置】,【把】【烈】【天】【刀】【器】【灵】【毁】【掉】!” “【你】【话】【太】【多】【了】。” 【蛮】【烈】【抬】【眼】【扫】【向】【了】【蛮】【泰】,【眼】【中】【毫】【无】【波】【动】,【似】【乎】【在】【看】【着】【一】【个】【无】【聊】【的】【小】【丑】【一】

  “【哈】!【是】【否】【不】【敢】【杀】【我】?”【就】【在】【死】【亡】【的】【瞬】【间】,【李】【星】【云】【突】【然】【明】【白】【了】【一】【件】【事】【情】,【眼】【前】【的】【意】【识】【并】【不】【能】【杀】【他】,【因】【为】【他】【死】【了】,【对】【方】【也】【就】【死】【了】。 “【不】【是】【不】【敢】,【而】【是】【不】【想】【而】【已】,【杀】【了】【你】,【我】【并】【不】【会】【死】,【只】【会】【任】【务】【失】【败】,【从】【而】【受】【到】【巨】【大】【的】【惩】【罚】,【所】【以】【你】【这】【一】【具】【身】【体】,【有】【需】【要】【的】【时】【候】,【要】【由】【我】【来】【控】【制】,【不】【然】【我】【就】【算】【拼】【着】【受】【巨】【大】【的】【惩】【罚】,【我】【也】创富期期准公开【沈】【洪】【斌】【之】【所】【以】【会】【提】【起】【考】【试】【成】【绩】,【自】【然】【是】【因】【为】【知】【道】【沈】【洛】【洛】【学】【习】【一】【向】【不】【行】,【而】【想】【借】【此】【打】【击】【一】【下】【她】,【以】【免】【得】【她】【太】【过】【骄】【傲】。 【可】【是】【他】【却】【忘】【记】【了】,【既】【然】【沈】【洛】【洛】【可】【以】【搞】【出】【这】【么】【多】【东】【西】【来】,【怎】【么】【可】【能】【还】【是】【原】【来】【那】【个】【学】【渣】? 【因】【此】【当】【他】【听】【到】【沈】【洛】【洛】【一】【副】【随】【意】【的】【口】【气】【说】【自】【己】【考】【了】【全】【年】【级】48【名】【的】【时】【候】,【他】【根】【本】【没】【有】【反】【应】【过】【来】。 【所】【以】【他】

  【脚】【掌】【接】【连】【在】【地】【面】【跺】【出】【两】【脚】,【身】【子】【也】【是】【直】【接】【朝】【着】【一】【旁】【侧】【身】【出】【去】【了】,【等】【回】【过】【头】,【刘】【鹏】【几】【乎】【吓】【得】【心】【跳】【都】【要】【骤】【停】【了】。 【明】【晃】【晃】【的】【一】【道】【三】【尺】【剑】【身】,【上】【面】【也】【是】【泛】【着】【森】【冷】【的】【杀】【意】。 【深】【吸】【了】【一】【口】【气】,【刘】【鹏】【屏】【住】【了】【呼】【吸】。【有】【一】【有】【二】,【自】【然】【也】【会】【有】【三】!【他】【是】【这】【样】【想】【的】,【而】【且】,【他】【的】【戒】【备】【也】【的】【确】【很】【对】,【就】【跟】【他】【想】【的】【一】【样】,【这】【个】【房】【间】【里】【的】【确】【还】

  【白】【飞】【雯】【三】【步】【做】【两】【步】【的】【冲】【上】【楼】【上】【的】【房】【间】。 【大】【概】【是】【为】【了】【房】【间】【保】【持】【温】【度】,【房】【间】【的】【门】【是】【关】【着】【的】。 【她】【的】【脑】【中】【闪】【过】【很】【多】【画】【面】。 【是】【杨】【溪】【提】【前】【回】【来】【了】?【可】【是】【这】【屋】【子】【里】【分】【明】【有】【股】【情】【事】【才】【有】【的】【特】【殊】【味】【道】。 【杨】【溪】【这】【孩】【子】【洁】【身】【自】【好】,【是】【不】【会】【做】【这】【种】【事】【的】。 【保】【姆】【不】【会】【大】【胆】【到】【把】【男】【人】【往】【雇】【主】【的】【房】【子】【里】【带】【的】。 【那】,【做】【了】【好】【事】【的】【人】

  【金】【刚】【封】【锁】! 【强】【大】【的】【封】【印】【下】,【七】【尾】【渐】【渐】【难】【以】【动】【弹】,【不】【过】【没】【几】【秒】【钟】,【七】【尾】【挣】【扎】【剧】【烈】,【渐】【渐】“【挣】【脱】”【了】【封】【锁】,【口】【中】【聚】【集】【一】【道】【尾】【兽】【玉】,【轰】【然】【往】【结】【界】【打】【去】。 【速】【度】【太】【快】,【除】【漩】【涡】【水】【户】【外】【没】【人】【反】【应】【过】【来】,【但】【即】【便】【她】【抵】【挡】【速】【度】【够】【快】,【却】【也】【没】【能】【保】【护】【结】【界】【周】【全】。 【下】【一】【秒】,【一】【道】【黑】【色】【阴】【影】【从】【大】【地】【冒】【出】,【迅】【速】【掠】【夺】【九】【尾】【外】【所】【有】【尾】【兽】【的】

  【时】【间】【回】【拨】【到】【数】【小】【时】【之】【前】,【远】【在】【望】【乡】【市】【的】【白】【夜】【云】【和】【冯】【战】【歌】,【此】【时】【刚】【挂】【掉】【与】【庞】【鸿】【的】【电】【话】。 “【你】【和】【庞】【鸿】【交】【代】【什】【么】【了】?【怎】【么】【神】【神】【秘】【秘】【的】。【不】【会】【是】【让】【他】【帮】【忙】【把】【监】【视】【黄】【小】【晴】【的】【人】【揍】【一】【顿】【吧】?”【白】【夜】【云】【揶】【揄】【道】。 【白】【夜】【云】【话】【音】【刚】【落】,【冯】【战】【歌】【面】【色】【忽】【而】【变】【得】【十】【分】【古】【怪】【起】【来】,【白】【夜】【云】【一】【噎】,【当】【即】【扶】【额】【无】【奈】【道】:“【真】【不】【愧】【是】【你】【啊】……【宝】【贵】

责任编辑: 堀秀行